Damn, as some of you know I’m on a hiatus until 2013 due to my health, but I just HAVE to post about this. There is only 1 release this year that I have been looking forward to for so fucking long – DJ Comrade’s ‘Favela Trap’ that’s gonna be out on 12/12/12 on Xao.

Baile Funk meets Trap. Now think about that for a second.
Yes, this already is a next level concept. But let me add something to the equation. The vocals are not sampled, they were approved by the artists or actual originals. If you are gonna do something might as well go all out. With features of Mc Creu, Doriva, Vakao, Maiquinho, Gus and Ceasar Do Castro.

If you think about the Baile Funk/Trap clash you probably have an idea of how it will sound right? Well, get prepared to get your fucking mind blown by DJ Comrade. I’m #obamatearing yet again – speechless!!! WHAT ARE YOU STILL READING MAN?!?! GO LISTEN TO THIS NEXT LEVEL SHIT!!!!!!!

Damn, I haven’t been posting on here for a while. That needs a change and it was supposed to be done with the Trap Bubbling EP (full 320′s) on the 14th. Well, I had to make a slight change of plans here since I got this message on my fanpage from the dude at Kannibalen Records himself (what’s up with all these Dutch names for labels appearing out of nowhere tho lol) which said “Huge Trap track” in the message. I was skeptical and checked out how “huge” this thing would be. IT WAS SO FUCKING HUGE INDEED. It made me #Obamatear out of pure joy. It made me reply like this:

WTF IS THISSSSSSSSSSSSSSS AAAAAAAAAAAAAAAAAAAAAAAAAAA

DAAAAAAAAAAAAAAAAAAAAAAAMN

This is the track I have been waiting for in terms of literally everything man. I mean fucking listen to the drop at 2:00 yo – really Apashe & Snail, did you REALLY have to go that hard. Airhorns, snare rolls, shouts. Fuck. I guess the robot is right yo, it just had to let them know when rendering the track on their DAW that they were indeed going hard. Real talk – this is giving the buildup of Diplo’s remix of ‘Demons’ an advanced lesson on how to execute a propper Trap buildup. You think I’m exaggerating? Go listen to the track yourself.

HA!

So while I’m writing this I find myself at Wayne & Wax’s house, where his daughter is giving me a laptop to work and my wife a cooking pan to cook me dinner haha.

Yesterday I had a gig here in Boston for the first time, which was awesome!! It was probably the gig I was most nervous for lol, because it was Wayne’s party and I didn’t wanna fuck up. Also I met some sick Breakcore producers at the party and even a sudden surprise visit of Drumcorps! And who would’ve thought that there were so much Dominicans up in here, a bunch came to the party so you know I gotta hit up some of these Dominican spots for food haha. BOW!!

Besides the gig I also had my 2nd release ever which was the Moombahtonista EP on Mad Decent, FINALLY!

Seriously everything was on point with that man, from Angel Doze and Blass on the release and Wayne & Wax doing the write up, to Franklin ‘El Medico’ doing the mastering (a.k.a. TEH reggeton engineer!). It’s not the last you will hear from that release and be on the lookout for that. I’ve seen all the support on Twitter/Facebook/Blogs.

THANK YOU so much for that man!!!

Seriously it’s incredible to think that I’m already more than 2 years in this and after the whole brain thing last year (basically spending the entire year recovering), I’m ready to do this shit again!

That is not the only thing, because I also had the release on Mau5trap being on Noisia’s ‘Split The Atom’ remix album.

It’s incredible, also being the only remix I was intimidated to make lol. and of course… I’M ON A RELEASE WITH NOISIA AND CURRENT VALUE FUCK YEAHHHH!!!!!!! Ok. Yes. Just letting you know – i’m that stoked haha.

This track was a mix between Skullstep/Moombahcore/Metal/Baile Funk, and just an attempt to let people know that Moombahton can be way more than bleepy-ton haha.

With this it was my first succeeded attempt on mixing Moombahton with the darker side DnB, which i’ve been planning on for a long time haha. First glimpse you could hear on the Nadastrom collabo on ‘Say My Name’, which Matt with his DnB background made so on point.

THOSE REESES MAN!! lol.

OK, ok. I love talking about shit and I talk even more about music, but this is to introduce the 3rd release this week.

Introducing the free EP once again at the end of the month, this month with the long delayed 3ball Dub EP!

This contains the ‘Skrillex Es Un Montro’ track, 3Ball remix of my favorite Dubstep track Noah D’s ‘Serious’ and a 3Skull remix of Chase & Status’ ‘Smash TV’ (still a favorite on my MP3 lol). And as you might know, I like to write some more info on the tracks when releasing it – and that’s what I’m doing now BOW!

1. Chase & Status – Smash TV (Munchi’s 3Skull ‘Shoryuken’ Remix)

So this is still one of my favorite DnB tracks. FUCK, that filtered synth thingy that goes on the thirds is SO GOOD.

I always wanted to remix this track so I eventually did and I was still doubting to release it, but eventually after a remastering I did now as you can see lol! I put some Street Fighter samples in it and some reeses and Skullstep snares and also an unexpected random Street Fighter fight somewhere in the track for fun, lol. And of course the most important element which is the 3ball. BAM!

2. Munchi – Skrillex Es Un Montro

HA! I remember when I first heared this track, and I was like WTF. Tittsworth showed me when it still was called ‘Untitled’ lol. I made a Moombahcore remix of it which I never put out, but only played on gigs.

Then I made a 3ball remix of it and waited until it was out there so that I could put it up on Soundcloud. I’ve been asked a shitload of times for this remix, until someone put up a ripped version and everyone started playing out that lol. And on Youtube people said that it was Moombahton, because it was on a Moombahton mixtape for some reason. But after a long delay here is haha!!

3. Noah D – Serious (Munchi’s 3Ball Remix)

My favorite Dubstep track. Yes, this track. I fucking love it. Everytime Nicon played it at the Subway parties in Rotterdam – I just waited for that track to come up haha. It was actually going to be an official remix, but since I kinda took too long I was like it’s all good. Free shit is what it’s about anyway BOW!

GET THIS SHIT RIGHT HERE SON!!! FOR FUCKING FREE!!

If you want to make Moombahton, you gotta know about this fucking palmtree.

Ok, i’m just posting this because i’m getting tired of nobody mentioning one of the most crucial people in Moombahton. Who am I talking about? Nibootoo.

Now a lot of you might not know that name, which I find sincerely ridiculous.
This has nothing to do with you personally, because he has never been mentioned other than in facebook conversations. I’ve always tried to keep his importance in the picture, but after the whole rise of Moombahton it was almost impossible. New people got in the picture and the genre got a shitload of attention, which made even more people join. This is obviously a good thing, but in all that mess he has gotten in the distance.

Let me mention that he is not the only one, because a lot of important Moombahtonistas aren’t in the picture anymore. If you go to the Wiki of Moombahton (which is a cutoff version of the one Nibootoo made in the first place) you see a short story about Dave Nada. The importance of this is underestimated and a shitload of people are not in the picture anymore because of this exact reason. The Wiki always gets the first look by people that don’t know what it is and the disinformation continues.

Now for you to understand who Nibootoo is, is kind of crucial. Nibootoo is a dude who basicly kept Moombahton alive in the first days. Making sure that everyone kept being motivated about it pitching ideas to the producers about new edits and other shit – he was really fucking exited about all of this and made sure you catched that fever aswell lol. Not only that, me and Nibootoo always used to email eachother paragraph after paragraph, plotting on how to give Moombahton a bigger reach. You might ask yourself now if that was reason enough to do a blog post on him. It certainly is. People need to appreciate this shit. He had a very important blog which is offline unfortunately, it was called nibootoo.com. There he posted every Moombahton track out there on Soundcloud, every important change or happening in moombahton and made sure that everyone was connected. You think that there are a lot of Moombahton edits now, well back then there only were edits and he made sure that every single one of them was mentioned. If that wasn’t enough he even used to spam every blog mentioning Moombahton with the full story and formula in his eyes so that there was no fucking doubt that you could go wrong lol.

In my own experience, the ‘Metele Bellaco’ track wouldn’t even be there without his doing. He was really big on Afrika Bambaata so I used the ‘Planet Rock’ sample for that. Also my track ‘Despair’ has the whole ‘Planet Rock’ rhythms going on as a lil shoutout to him. Probably a lot of the early edits were his contribution to keep the genre flowing.

We started working on ideas like a Moombahton website (moombahton.com), Moombahton t-shirts, Moombahton Twitter, Moombahton blog, Moombahton Facebook, Moombahtonista group, Moombahton vocalists, Moombahton parties, Moombahton compilations (started with ‘Summer of Moombahton’, because of the lack of documentation on the important tracks), how to portray Moombahton, Moombahton videos, the clash between the Latin and Western roots, etc.

So basicly everything that you could think of. The whole family thing in Moombahton probably started because of him aswell. He made up the most ridiculous Moombahton sub-genres which were almost 30 in total, some of them are still in use. Sadly if you google Nibootoo nothing pops up. No Soundcloud, no Twitter, no website, no Facebook – nothing. This because his site went offline and he spends all his time studying nowadays. Except for the summer, because if you are lucky he pops up out of nowhere then haha. He guided a lot of us Moombahtonistas in a good direction and he should get his props for that as he is one of the people every Moombahtonista knows, but until now has never been credited.

And that is fucking ridiculous, because this genre wouldn’t be near as far if he wasn’t there to push everybody.
To be honest he probably doesn’t give a fuck if he gets props or not – he was just in it for the love of it.

But even though that might be the case, just out of respect I say: Shame on everyone, thank you Nibootoo.

It’s got Munchi’s name on the post, but I think he was having some technical problems embedding the vid and so I’ve (DJ UMB) taken over to finish it.

This is just a beautiful look at the humble home life of a Genius Producer whizz kid. This dude, Munchi, is not just here for today or next year, imho, he is going to have an enduring impact upon the EDM scene for as long as he remains interested in it. He is totally unique and refreshing and I firmly believe he will continue to be throughout his career because he doesn’t like to repeat the same thing too often.

This is very moving stuff, an insight into the practical day to day life of a genius, future superstar producer and his mother is wonderful!

I was still making it lol, but if you don’t mind imma just add the text under here brother!
Thanks so much for the kind words Umb-ahtonista!!

So some time ago I did this thing for “My Son The DJ” for Vice and Jagermeister.
The plan was that my mother would be in it and basicly about her thoughts on what I am doing.
I got this mail from Mirla on the 11th of February and she asked me if I was down to do it.
Of course I was down! Since I was waiting on a oppertunity like this to get my mom involved aswell! At the time I was still in Hawaii and a couple of days later I had the seizure.

So after a long delay we got in touch again and this time my wife was in Holland, so it would be awesome to make it happen! It sucks that it didn’t work out tho, but it was for the best – I wasn’t recovered yet.

After that I was actually doubting if it ever was going to happen lol, because I was away on a gig or I was in Hawaii and she had a deadline to catch and was on holiday for a long time aswell. Luckily it all worked out at Valtifest in Amsterdam and I finally met Mirla lol! A little bit later they came to my house, accompanied with the camera dude Bas and we made it happen! Also the timing was perfect, because the first Moombahton Massive in Rotterdam was a fact!! Not only that, it was the first real Moombahton party in the whole country!! My dude Heartbreak was there aswell and he said a lil something on the camera – while in his pyjamas LOL. Also if you are sharp on the eyes you see a lil cameo of Brenmar and also my dudes from the Bomb Diggy Crew!

Most important of course, I’m really proud to have my mom in it and I feel like this video really was on point! I hope you guys like it as much as we enjoyed making it!!

What the fuck. I couldn’t wait to post this shit here.

So 2 days ago I was in Madrid for a gig this place called Zombie.  It was pretty cool, but i couldn’t go full because I had a fever and was sick as fuck.  So after blessing the crowd with some Dominican rum, I went home to the hotel early.

The next day Barcelona was in the planning. The gig was at Razzmatazz and since I was feeling better I knew it would be good! Met up with my dude Pol and his friends and we went to his crib.

We talked about a shitload of things and then comes this track that he shows me. Without exaggerating I was fuckin mindblown! Dude, like for real, this is something i’ve been waiting to happen for a long ass time. Apparently this dude is called Autopsy Protocol and at the gig I had the honor to meet him. He was cool as fuck, but he probably didn’t think I was that serious about it. WELL AS YOU SEE, I FUCKIN AM!! lol.

Ok, so i’ve talked a bit about what happened before and shit – you guys probably don’t give a fuck.  So let me just skip the blahblah and go to the track!!

You guys probably know the likes of La Muerta who has brought up the awesome clash of Hardcore (Gabber) and Moombahton. I did my share aswell with trying to mix Moombahton/Dubstep/Breakcore on Firepower (Munchi Moombahcore Rmx). Even though the Moombahcore genre is of course more focused between the Moombahton/Dubstep clash, the very first Moombahcore called ‘Disband’ had a proper Breakcore reference in the buildup. Me and Nadastrom also did a collabo called “Say My Name”, which focused on Daves background, Matts background and my background. That track went more deeper in the familiar elements you hear in Drum and Bass, incorporating those in Moombahton aswell.

With all this clashes happening between Moombahton and Dubstep/Hardcore/Dubstep it was only time that there would come a proper Breakcore clash. I feel like Autopsy Protocol managed to do that. The raw, unexpected, energetic and chopped elements that are familiar in the Breakcore genre, are all in this concept track. Going by the name of “Extreme Moombahcore Terror” thats all you need to know to be a happy fuck. Yes I am a happy fuck. Matter of fact, this happy fuck has been listening to this shit on repeat while writing this and my fuckin brain is fried. I don’t care tho, it was worth it.

I don’t even care that it’s only his first track doing this shit. He’s on to something.
And I was too fucking exited to wait on posting about it.

Meet Autopsy Protocol, you better support this mothafucka!!!

Autopsy protocol – Extreme Moombahcore Terror by dayofthedroids

Yesterday was my birthday and im officially 22 now! Damn, so much things that can happen in only 2 years. It’s incredible.

So just like last year the compilation for this month was in my mind. The amount of tracks that were delivered pretty much blew my mind.

Not only did it jammed my inbox for a week, the 75+ tracks were all of high quality. I couldn’t choose to be honest, so i knew i had to have some time.

Thinking that the 25th would be a good option to have 4 days left to choose and master tracks, was a bad choice haha.

Shit, like I was in Paris last minute to meet Skrillex and Sazon Booya (which was awesome as fuck) the 25th and 26th coming back the 27th.

So as usual I did everything last minute, haha. Even writing this fucking thing last minute before I have to go to my gig in Belguim haha.

In the end the choices were clear and there are 13 exclusive tracks on the compilation!

Thank you all for the help and making the tracks, also big thanks to the people who don’t make Moombahton usually but skipped that just for this compilation. And of course thank you all for the big support over all this time. The movement is getting bigger and bigger and its incredible to see this happening when we are all in the middle of it.

Happy Birthday all, the seasonal Moombahton compilations 1st year!

Tracklist:

1. Javier Estrada – Voces Del Viento
2. Diplo & Dillon Francis – Que Que (Alvaro Rmx)
3. Consequence ft Kanye West & John Legend – Whatever U Want (JWLS Bootleg)
4. Bro Safari ft LeDoom – Tempora
5. Sazon Booya – Mis Armas
6. Pickster One – Mami Mueve
7. De Schuurman – Nu Ga Je Danse (La Muerta Remix)
8. Teen Wolf & Shelco Garcia – Fatmanbass
9. Dembowsky – Bambata (Di Di Di DJ Edit)
10. Hostage – Straight Raw
11. Cardopusher – Ella Es El Animal
12. Leo Justi – Hoje Eu To Moombahtonero
13. Munchi – Jimi Knows

!!DOWNLOAD THAT SHIT!!

Bow!!!

Here is a lil present for you guys!! Rotterdam Juke EP!!

I’ve been waiting for this date 1 june tbh lol. Finally I can say that its all good again after the Hawaii madness, back on track, no more problems with it and feeling gooddddd!! It took me some time to get everything together tho haha, but now that its 1 june no moreeee!!

Ok so what is this ‘Rotterdam Juke EP’ then? Well after being in Chicago with the fam over there, I felt inspired. Seeing the movement over there was mindblowing. And i knew that i had to make an EP out of it. My first try was the Nguzunguzu Mambo Juke Rmx. That was the first and only that worked out tho lol, because I didnt learn enough about the genre yet. So after listening to a lot of juke in the likes of Rashad, Spinn and more, I felt good about it after a month or so. I still couldnt make music at the time so it was right in time if you think about it haha.

So I started to experiment and combined juke with dubstep, salsa, bachata, mambo, baile funk, papiamento rap, dutch rap, etc.

Whatever felt good tbh. I’m really glad to finally have an promo EP out again, because I skipped some months ehh. Well lets say
ill recuperate that haha.

BOW! Now for some oldskool talking about the tracks:

(I wonder eh, do you guys actually read it? haha I kinda like typing that shit up lol) ((oh and u already saw the BOW 2 times eh? well blame lex lugers beats, because ive been listening to them and waka flocka apparently was rappin in over a few of them. I even had the urge to make trap shit, and let me tell you my friends, i enjoyed it thoroughly, breaking shit in the process.. fuck yea..))

Munchi – Paperchase by Munchi

When you hear the start of this track you might think huh? Rage Against The Machine?? Yeah its them indeed, but I used it for another reason. Because a Dutch rapper named Hef used it by sampling it.

I always wanted to do something with this track and now I finally could haha! Because of the paperchase line in the track, I sampled Lil Scrappys ‘Money In The Bank’ aswell. That was also one of my favorites and a must to sample, so why not combine the 2 ehhh!?

The combination Juke & Bubbling always sounded good to me, and that clashing with the RATM/Lil Scrappy sample makes it even more crazy! I fucking love blending shit together haha.

Munchi – Yazzer G Tin Air Max by Munchi

Immorales is a Dutch Antillean group who make Reggeton, Rap and Bubbling over here in Holland. Most of the tracks are in Papiamento, but they have shit in Dutch aswell. One of the people in that group is called Yazzer G. I especially like the combination when Iski and Yazzer work togheter. It’s really underrated in my eyes, because they clearly have this own vibe going on. Anyway, this is kind of a mashup of my favorite songs by this dude and I made it in my version of Juke. It has a bit of Bubbling in it, House progress and a shitload of choppin. Why I did this? When I was in Chicago with the fam over there, checking out the Battlegroundz was incredible, but one thing stuck in my mind. It had some similarities with the shit in Papiamento. Different music and all but the same kind of vibe. It made me feel home for some reason.

Munchi – Mi Ta Bek by Munchi

Mi ta bek is im back in papiamento. This is a juke track with an old vocal of one of my good friends MP. He’s saying bitches shake their ass and niggaz bounce, something like that. Shout out to Immorales in the form of the ‘Riba Puta’ vocal snippet. Basically this track is in majority a juke/dubstep type of thing, but you hear back bubbling, trap, mambo, baile funk, bmore skullstep (intro) and reggeton.

Of course the obvious vocal break ‘guess i got my swagga back’ is from Excision and Datsik. at first I was making another track that was like a tribute to them and that was a vocal break of it, but I found it more fitting here, because I finally feel that I’m back haha. Also, as I told in previous descriptions, i was in Chicago a while ago and was mindblown with the whole footwork thing. I really wanted to make shit, but I didnt learn enough about the genre yet. so after listening a month or so to rashad spinn etc, i felt good enough to blend my own shit in it. BOW!! IM BACK IM BACK IM BACK!!!

Munchi – Mamajuana by Munchi

Mamajuana what is that? I would say, look it up on Google friend haha.
I thought it would be a good name for it, because once again I was drunk while makin this concept. The whole track feels drunk to be honest haha, not in a bad way tho, but its kinda cool that it feels like that. This track has a heavy Bachata influence, but compared to the other tracks this is most true to the real Juke. Like I probably told u before, I use Bachata for everything haha!! How would a footwork/bachata dance look like? Probably fucking awesome dont you think?!

Munchi – Andando by Munchi

The dude that you hear in the start is one of the greats in bachata: Eladio Romero Santos. Thats my dude right there man for real, RIP you are a great inspiration to me. The original track I made was this G-Funk track and it was one of my favorite beats. The thing is, personally I make tracks outta emotion and that specific track couldnt work out. So I flipped it again in Juke. With the basics now being Juke and Salsa, added more percussion, Cumbia and Mambo elements, lil bit of a Reggeton touch and a tad bit of Ambient influence in the buildups.
For me this track is the travelling around places as a DJ. Its pretty fucking awesome man and i just feel blessed and thankful for it. Thats why I put the intro in it aswell of course.

Sonido Martinez knows which song I mean if I say that his favorite song inspired me to make this track, kind of the same vibe. I tried to just keep it minimal and just vibing, just in time for the summer! So when u on the road or just chillin on the beach this summer, just be like: fuck, im feeling fuckin good today!!

Positive vibrations, yeaaaahhh! BOW!

Munchi – Straat Takki by Munchi

What is ‘straat takki’? Street talk. This track wasnt going to be on the promo tbh, but I just had to. I know its not really Juke, the most Juke part of the track is the buildup and ending, I dont even know what the main beat is haha. Fuck it, i kept the beat raw and unpolished, just the way it should be. So who better to spit on it than one of my favorite Dutch rappers Heinek’n. + The fact that he is from Rotterdam, so he couldn’t be left out on this shit. The whole beat is basicly a fuck up of my favorite tracks of him.

Made this concept when in LA @ Dillons Francis’ place. Had my laptop connected to his ridiculous bass speakers and well, let me tell you: this track is pure that. And not forgetting the excelent siren that we got from Dave lol. I overused that shit on this track mannn haha, but fuck it, THERE IS NEVER TOO MUCH SIRENS OR AIRHORNS!!! Learn from my dudes Schlachthofbronx, they know how to make justice to the airhorn haha!!!

Ok so now that you know everything u need to know, there is only one thing left to do…

Download Hereeee!!!

Fuck Yea!!!!

After all the shit that happened in Hawaii and all the other delays the i’m so happy to present to you all the first H&M promo of 2011. Heartbreak has been on fire this year, but for me its my first promo since November or something. The traveling was a factor that I didn’t counted in and it’s pretty difficult when you don’t have a laptop to make things while your gone haha. Now that problem is solved aswell and we’re ready to take on 2011!

Now a moment for some oldschool talking about the tracks, fuck i missed that haha:

- Heartbreak

Jump Up & Twist
This a little something I like to call Moombashment. I actually heard Toddla T say it, and it kind of stuck with me. It’s more of a hype track. Moombahton, inspired by Bashment, Dancehall, and Dutch House influences. Lots of energy, and another attempt of experimentation into another Moombahton genre.

The Legend
This is actually one of my favorite R&B artists, the song being one of my favorites too. I basically wanted to take this classic and make it danceable. Its something I like to call Moombahsoul. Good soul music fused with Latin inspirations.

Doomsday
Moombahcore is a very special and dark part of the Moombahton world. I try not to immerse myself in to the sub genre too often, but I do get down and dirty sometimes. The rock and roll riffs, combined with the short chopped wobbles and vocals, sets it off. The track is very minimal and very aggressive. I would say this is more of a brostep type of vibe in the Moombahcore world.

- Munchi

Learn
This a remix to the known ‘Welcome to Jamrock’. I didnt want to change a lot to the beat tho, why would you do something like that?! Disrespectful. Anyway, I chopped up the vocals, added this vocal from this awesome Lauren Hill speech and tried to keep it a lil bit dubby. I made the original concept when in Hawaii. I was so shocked and thankfull about everyone helping out, it inspired me on some other level type of shit man. I couldnt resist the temptation to make music anymore, but believe me I knew it in the end. That shit gave me the headache of a lifetime so I didn’t do anything after that till I felt a bit better. Wanting to change the vibe to a more hyped up thing, I decided to leave it as truthfully to the original concept. This because it was in a weird stage of my life and obviously a lot was going on in my mind. Everything is a learning experience tho. Maybe i’ll make a VIP later on of it.

Me And My Bitch
This is one of my Moombahsoul tracks. It’s kinda different than the others i’ve made tho. The others are more in a vibe for listening than for in the club. Me And My Bitch is the only one different to that tho. Of course you have to know the sample and the vocal, both from Jay-Z – Song Cry. I always wanted to use that track but never did, now i finally found a way to do it. Moombahton and Soul with just a lil bit of Ambient. When I was working on the beat I remembered me and Ayres talking about this Kanye track and also I was reminding the Empire State Of Mind beat, that lil dot sound what you heard was so raw and subtile but yet so crucial to the beat. So I really wanted to find a way to put that dot sound in this track, but in a more Moombahton vibe. Also, i’ve used that fucking synth I was addicted to back then, when I first heared Kartier – Bailando Sola. That Reggeton track blew my mind back then, and to give it a shout out this way is awesome haha. I made this one when I was in New York btw, at my dude Kokos from Xao Productions. With me being a bit hectic n shit I basicly didn’t have any time to make a track, so I made this one and Gracias. I spent the whole day working on these two tracks, and the fact that I was working on a laptop for the first time wasn’t speeding up the process. But in the end it worked out and I can finally release this one!

Warface VIP (Munchi Likes Moshing Rmx)
Why did I make a Warface Rmx? Well listen to the fuckin original and than you’ll know. FUCK! I saw Dutch Dubstep dj Gomes playing this shit and it instantly reminded the Incubate festival in Tilburg in 2010. That shit was so fuckin awesome, and at the end of the first night of me being there we were just in time before the last party ended. DJ Umb and Jakes were playing then. I love Dubstep and with Breakcore or Drum n Bass its my favorite music to freak out to haha! Anyway I was mindblown by Jakes’ set and I always knew I had to do a track of his aswell. The way the original track drops is so fuckin hard dude. Straight to the point and no bullshittin. Also the thing that I like from Jakes’ tracks is that it has the feel of the more older Dubstep tracks. I tried to maintain it in the original vibe, with a more dramatic ‘war’ buildup haha, and of course the drop. Hope you like it!

Thank you for all the support you have been giving us over the months and thank you for all the support during my fucked-up-ness in Hawaii. It’s overwhelming man, real talk.
Graditude!!

Heartbreak is being a hater/bitch in Chile at the moment hahaha, because i ran a bit late with posting it. That is my bad so don’t go blaming him for it. And to Heartbreak:
Good luck over there!! Kill it!!!

Ok, so i think you all have seen enough talking etc…

YO DUDE WITH THE BIG HAIR STFU!! GIMMEHHH THE MUSICAA!!!

ITS THE MAWFUCKIN PANFLUTE!!!

Ok for real, I got problems. I got a serious pan flute addiction like for example heared in the 3Ball songs. Or the like totally unnecassary panflute additions to tracks.. gotta love them! Support the panflute, it’s gangsta (yeah, even more than the O.G. himself, the cowbell).

So imagine how many times the replay button got molested when this got in the picture:

Teaser Matanza from Meschi on Vimeo.

Originally called Matenlo, now under a new name Matanza from Chile are taking the shamanic rhytyms to 2010 in exactly the right way. Agreeing 100% with the drunk lookin dude in the beginning, lol.

Support good music, support the cowbell, support the panflute, DO IT!!

DOWNLOAD PANFLUTE PROMO MADNESS